Rococo Rapunzel

Does this scene look familiar?  It might, if you've recently seen a certain computer-animated adaptation of one of my favorite fairy tales.  The good news is I liked it a lot more than I thought I would based on the trailer (which was not at all).

The bad news is it doesn't really resemble Fragonard's The Swing (which, coincidentally enough, I also saw recently, at the Wallace Collection), although the animators referenced the painting for inspiration (Bill Desowitz, "Chicken Little and Beyond," Animation World Network, 11/4/2005).  The more I look at it, though, the more I notice elements of The Swing--the palette, the frothiness of the flowers and leaves--that did make it into the movie.  Oh, and this iconic image:

Have you seen Tangled?  What did you think?

Arcimboldo and The Tale of Despereaux

I skipped lunch the other day to watch the exhibition film for Arcimboldo, 1526-1593: Nature and Fantasy, currently on view at the National Gallery, which references the character of Boldo in the animated feature The Tale of Despereaux.  That's Boldo in the image above, a character composed entirely of fruits and vegetables, pots and pans--distinctly resembling the composite heads painted by his namesake, the Renaissance artist Arcimboldo.

Unfortunately, I couldn't remember a character named Boldo in Kate DiCamillo's Newbery Award-winning novel The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread (illustrated by Timothy Basil Ering with no apparent debt to Arcimboldo; Scholastic, 2003) and was forced to reread it.  In vain, as it turns out: Boldo (a sort of soup genie) was created for the movie version of the book (which I also watched this weekend). The animation, by London-based Framestore, employs a palette and lighting drawn from the Dutch Masters; and the movie also spotlights two portraits, one of the deceased Queen and another of Princess Pea.  Altogether I prefer the movie.  You can watch a video podcast (of the exhibition film, that is! It's narrated by Isabella Rossellini) here, or better yet, at the National Gallery til January 9, 2011.

[Here's Arcimboldo's Vertumnus (c. 1591, on loan from Skokloster Castle in Sweden) for comparison to Boldo.  Note especially the apple cheeks!]

Despicable Me and Sleepy Kittens

The best part of the movie Despicable Me, for my money anyway, is when Gru reads a bedtime story to Margo, Edith, and Agnes, the three little girls he's adopted to help him infiltrate his nemesis Vector's lair.  The book he reads--at Agnes's insistence--is called Sleepy Kittens; it's a novelty book featuring three kitten finger puppets who drink their milk, brush their fur, you get the idea.  Gru is disgusted: "This is garbage!  You like this?"  (Of course they do.)  I think he even suggests that a two-year-old could have written it.  I'm sure a lot of parents have thought they could do better when it comes to their kids' books, too.  It's harder than it looks.

Anyway, the smart merchandising folks at Universal published Sleepy Kittens as a movie tie-in, finger puppets and all.  Apparently the actual book is not as good as the one in the movie, in a sort of meta-reversal of people's usual complaints, but it's a clever idea nonetheless.

[And one that the people who made Michael Clayton missed out on completely.  My post on the middle-grade fantasy novel featured in that movie, Realm+Conquest, consistently gets more hits than anything else I've written here, and despite the fact that Realm+Conquest is not a real book, people continue to ask me where they can get it.  Someone please write that book already!]

Back to Despicable Me.  Later in the movie, Gru reads the girls a book he's written just for them, The Lonely Unicorn.  He should probably stick to his day job, but the girls love it.  (Of course they do.)  Have you seen the movie?  Did you?

Voyage of the Dawn Treader

Congratulations to Charlotte of Charlotte's Library and Jennifer of Jean Little Library, who correctly identified the source of last month's featured work of art in the Middle Grade Gallery:  The Voyage of the Dawn Treader by C.S. Lewis.  The rest of you just weren't trying!  It is of course the picture of a Narnian ship at sea that hangs in a back room at Aunt Alberta's (I've always wondered who gave it to her) and becomes a portal into Narnia--or more precisely, into the Narnian sea--for Lucy, Edmund, and their horrible cousin Eustace.  I love this scene in the book and have been very curious about how it will look in the movie (due out December 10); fortunately, it's featured prominently in the trailer.

In the book, the children notice that the things in the picture are moving (Lewis notes that "it didn't look at all like a cinema, either"); then there's wind and noise and a wild, briny smell; finally, "a great, cold salt splash [breaks] right out of the frame." Then the children grow smaller or the picture grows bigger (it's not clear which), and they're all drawn down into the sea.  Here's the trailer for comparison:

What do you think?  Does this scene look as you had imagined it?