A Walk in London for Nonfiction Monday

A mother and daughter take A Walk in London in this lively, lovely picture book guide to the city by Salvatore Rubbino (Candlewick, 2011). Their day begins at 11am in Westminster and includes Buckingham Palace and the Changing of the Guard, the lions in Trafalgar Square, lunch at Covent Garden, a climb up to the dome of St. Paul's Cathedral, the Bank of England, the Tower of London, and a boatride on the Thames. For the record, it took my daughter and I ten days to do all of that! (But we went to the British Museum, too.)

While the main text recounts the day's events in the daughter's voice ("Hello! There's me, and that's my mom!"), spot text in a smaller font highlights related trivia (during a sudden shower, "London is Europe's third rainiest city. About twenth-three inches of rain falls here every year"). Rubbino's mixed media illustrations, often double-page spreads of city scenes, are carefully laid out and layered with just the right amount of detail. They also have lots of retro appeal. Here's an example from his first picture book, A Walk in New York (Candlewick, 2009; I couldn't find any interior images of London online):

London features a foldout Thames Panorama that would have come in handy on the London Eye, while the endpapers trace the mother and daughter's route on a map of the city. Don't forget to look for the royal family's car along the way!

Reminiscent of but more child-friendly than M. Sasek's classic This is London (1959; reissued by Universe, 2004), the picture book we referred to most prior to our trip, A Walk in London is the one we read to remember it. Mr. Rubbino, if you're reading this, please take us on a walk in Rome next!

My Havana for Nonfiction Monday

My Havana: Memories of a Cuban Boyhood by Rosemary Wells with Secundino Fernandez (illustrated by Peter Ferguson; Candlewick, 2010) encompasses the decade of my own parents' childhoods, and the city young Dino describes in it is almost as familiar to me as if I remembered it myself:

Until I [Dino] am six years old, in 1954, my world is sweet. "We live in a city built by angels," Papi says. There is no cold in Havana, only sunshine and warm rain. The city's avenues are lined with arcades of coral stone archways, ancient doors, and window frames....

The architecture of the colonial capital fascinates Dino (he grows up to be an architect), and he fills his sketchbooks with drawings of buildings, windows and doorways. As if taken from Dino's sketchbook, pencil drawings of architectural details are overlaid on a view of the rooftops in this wordless double-page spread:

Peter Ferguson's painterly illustrations, done in oil with spot art in pencil, capture a city suffused with golden light: very different from both Madrid, where Dino lives with his maternal grandparents from 1954-56, and New York City, where he and his family settle in 1959 after Castro comes to power in Cuba. They're an integral part of this relatively short (65 pages), yet surprisingly rich book.

Rosemary Wells was inspired to write My Havana after hearing an interview with Secundino Fernandez in which he described his intense homesickness for Havana, and his attempt to alleviate it by building a cardboard model of the city on the floor of his bedroom in New York (that episode makes it into the book, too). It's a beautiful and evocative example of the power of place in childhood memory, and one for which I am especially grateful.

A note on politics: The text of My Havana touches on the repressive Franco regime in Spain as well as on the Batista dictatorship and the Cuban revolution under Castro. I only wish the author's note had not.

Nonfiction Monday

Welcome to Nonfiction Monday at books together! My contribution is Me, Frida by Amy Novesky, illustrated by David Diaz (Abrams, 2010), which won a Pura Belpre Illustrator Honor this year. Please comment with a link to your Nonfiction Monday post (and a brief description if you'd like), and I'll round them up here throughout the day.  Thanks for participating in this edition of Nonfiction Monday!

Amy at Hope is the Word reviews Martin Jenkins's new book about endangered species. I've read Can We Save the Tiger? and agree that it is gorgeous.

The Coelocanth is in the news again! Robin of Bookmuse knows where to find more information about this mysterious fish.

Alex as The Children's War reviews a workbook for teaching World War II using primary sources. Be sure to check out Alex's other reviews of World War II-themed books for children and young adults, too.

Roberta at Wrapped in Foil has a glowing review of the newest book by Dianna Hutts Aston and Sylvia Long, A Butterfly is Patient.

Jennifer at Jean Little Library reviews Puppet Play, a craft book that would be great for a teen puppet program.

Jeff at NC Teacher Stuff reviews an Augmented Reality book about dinosaurs from DK.

And Lori at Lori Calabrese Writes! reviews National Geographic's Dinosaurs for emerging readers.

Shirley at SimplyScience reviews Hummingbirds by Jeanette Larson and Adrienne Yorinks, which offers an interesting combination of facts and folklore about hummingbirds.

Roll up your sleeves for Nonfiction Book Blast's projects from Explorers of the New World by Carla Mooney.

Tammy at Apples with Many Seeds is looking at all kinds of animal eggs.

Brenda at Proseandkahn writes about forces of nature.

Carol at Rasco from RIF features an ABC book that tells a story.

Paula at Pink Me is in with a review of Flesh and Blood So Cheap by Albert Marrin, a middle grade book about the Triangle Shirtwaist Factory fire that took place one hundred years ago this year.

At Bookends today Cindy and Lynn review Meadowlands by Thomas F. Yezerski.

Heidi at Geo Librarian reviews Tom Thumb: The Remarkable True Story of a Man in Miniature by George Sullivan.

Jeanne at True Tales and a Cherry on Top reviewed a picture book biography of artist Josef Albers specifically for books together.  Thank you, Jeanne! N.b., Jeanne's next picture book, My Hands Sing the Blues: Romare Bearden's Childhood Journey (illustrated by Elizabeth Zinon, will be out in September.

And Anastasia Suen is in with Spiky, Splimy, Smooth: What is Texture at Picture Book of the Day and The Story of Oil: How it Changed the World at Chapter Book of the Day.

Thanks, everyone!

The Nine-Ton Cat and giveaway winner

Thanks to everyone who participated in last month's giveaway for How the Sphinx Got to the Museum by Jessie Hartland (Blue Apple Books, 2010).  In that post, I asked commenters for their best behind-the-scenes-at-the-museum questions (such as this one from Janelle's daughter, who asks, "Why can't I touch that?").

Some of those questions--about curatorial work, exhibition design, conservation and more--are answered in The Nine Ton Cat:  Behind the Scenes at an Art Museum by Peggy Thomson with Barbara Moore; edited by Carol Leon (Houghton Mifflin, in association with the National Gallery of Art, Washington, DC, 1997).  Now out-of-print (and maybe slightly out-of-date as well), The Nine-Ton Cat is a book for older readers (9-12 and up), who might be inspired to consider a museum-related career.  It's loosely organized around a day at the National Gallery, beginning at 6am with a guard patrolling the halls and ending at 6m with a planning meeting for this very book.

In between, The Nine-Ton Cat takes you into the "private spaces" of the museum:  the design studio, conservation lab, library, and greenhouse (yes, the National Gallery has its own greenhouses on site) for a close look at the work that goes on there.  Detailed text, with lots of quotes from unnamed Gallery staff, and photographs contribute to the behind-the scenes appeal.

I would love to see an updated edition of The Nine-Ton Cat, perhaps in a larger, more clearly organized format (it's easy to lose your place, in much the same way that it's easy to get lost at the Gallery).  In the meantime, congratulations to Christine Mingus, winner of How the Sphinx Got to the Museum!  I think her elementary school students will love it.

[One of my favorite anecdotes from The Nine-Ton Cat:  The head of the horticultural staff wishes that Rubens Peale (in a portrait painted by his brother Rembrandt, 1801) would water his geranium! It does look a little wilted, doesn't it?]